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TOP 3 LYRICS
3 Fergie


A-ha


The Company Man (Minor Earth, Major Sky)

The Company Man
(Magne Furuholmen / Paul Waaktaar)

Andy was the company man
Responsible for signing the band
Songs came out of our mouths
And into his hands
Oh yeah

Legal help, yes we had plenty
Bank-accounts are easy to empty
Everybody's trying to help
Everyone is so friendly
Oh yeah

And we all come down
Don't make a sound as we hit the ground
Yes we all fall down
Don't make a sound as we hit the ground

Give us something easy to sing to
Give us something simple to cling to
Something we can all understand
Said the company man
Oh yeah
We sing

And we all fall down
Don't make a sound as we hit the ground
Yes we all fall down
Don't make a sound as we hit the ground

Yes we all fall down
Don't make a sound as we hit the ground
May we all fall down
Don't make a sound as we hit the ground
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Features

Diana Krall:

Diana Krall: "The Very Best"


The word "chanteuse" may have been coined for Canada's Krall, who has emerged as one of the preeminent jazz voices of our era--mostly by her mastery of a bygone one. On "The Very Best," the singer slinks and sashays through more than a decade's worth of reinvigorated standards.
Live from Studio C: Josh Rouse

Live from Studio C: Josh Rouse


Seventies rock-inspired ladies' man Josh Rouse found a few minutes out of his busy tour schedule to stop by Studio C. He treated us to solo acoustic versions of "Hollywood Bass Player" and "Sweetie" from his latest album, Country Mouse City House.
James Blunt

James Blunt


While some guys try to impress girls with lines like "I didn't know angels flew so low," James Blunt simply sings "you're beautiful." That genius pick-up line scored him supermodel Petra Nemcova and turned him into a rock star overnight. His latest, "All the Lost Souls," continues with the romance.
Pink Floyd

Pink Floyd


Before Pink Floyd became '70s prog-rock heroes, they were Swingin' London's most interesting psychedelic pop group. Newly reissued with a CD of bonus tracks, the Syd Barrett-led "Piper," their debut, still stuns like it did then: as the most darkly grown-up children's lullabies anyone's ever heard.

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