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TOP 3 LYRICS
3 Fergie


Ace Troubleshooter


The Madness Of The Crowds

Here I go against the grain
It's time to yet again complain
And make some noise
We've got all our sciences
Making our appliances
To dull the pain
It's novocain for the soul

Hollywood, pop culture's best
You do no good, you vultures' nest
And I want out
It's gambling now, the more you wait
And think that you can have your Kate and Edith, too
And so to lose your own soul

I'll call your bluff, I've had enough
Oh no Ho-Jo

So is it fantasy or reality t.v.?
So here's your world condoned
You get the chisel, I'll get the stone

Know that with each path we take
We become the choices that we make
It's true, and so do you
Forbear to keep obstinate will
And to choose to wait until the dream dissolves
And we're absolved from our guilt

I'll call your bluff, I've had enough
Oh no Ho-Jo
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Features

Diana Krall:

Diana Krall: "The Very Best"


The word "chanteuse" may have been coined for Canada's Krall, who has emerged as one of the preeminent jazz voices of our era--mostly by her mastery of a bygone one. On "The Very Best," the singer slinks and sashays through more than a decade's worth of reinvigorated standards.
Live from Studio C: Josh Rouse

Live from Studio C: Josh Rouse


Seventies rock-inspired ladies' man Josh Rouse found a few minutes out of his busy tour schedule to stop by Studio C. He treated us to solo acoustic versions of "Hollywood Bass Player" and "Sweetie" from his latest album, Country Mouse City House.
James Blunt

James Blunt


While some guys try to impress girls with lines like "I didn't know angels flew so low," James Blunt simply sings "you're beautiful." That genius pick-up line scored him supermodel Petra Nemcova and turned him into a rock star overnight. His latest, "All the Lost Souls," continues with the romance.
Pink Floyd

Pink Floyd


Before Pink Floyd became '70s prog-rock heroes, they were Swingin' London's most interesting psychedelic pop group. Newly reissued with a CD of bonus tracks, the Syd Barrett-led "Piper," their debut, still stuns like it did then: as the most darkly grown-up children's lullabies anyone's ever heard.

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